Sandra Singh (*1990) is a German Indian visual artist and photographer living and working in Munich, Germany. In her artistic practice, Singh works at the intersection of photography, printmaking, video- and media art. She focuses on projects and research on the themes of border politics, female autonomy and migrant identity. Her process is informed by scientific and journalistic research and a fusion of aesthetics from surveillance technology, fine art photography and (photo-)journalism. In her works, she focuses on the complex interplay between documentation and fiction and a playful questioning of their boundaries.

This is visualised in projects like “KASHMIR (2020)” and “ARARAT (2019)", a series of large-scale cyanotype artworks which are based on her ongoing intensive research into cartography, current border policies, the many meanings of “homeland” and their impact on human movements.

Extensive Research is the backbone of all her projects - Singhs process focuses on scientific studies as well as personal encounters, collection of statements and a fusing of emotional and journalistic approaches to politics and contemporary histories. For instance, in "a promise of land (2022)" and "MAN SPRICHT DEUTSCH (2023)" Singh uses photography as a tool of visual investigation by merging found footage, fine art photography and journalistic research, resulting in video installations as well as prints on floating silken fabric.

Her latest project “VIRTUAL WAR (on women)” is a multimedia art & research project focused on online misogyny, INCEL culture and its real-life consequences, for which she has been awarded the artist stipend by the City of Munich in 2024 and the Feminist Art Prize 2025 by IKOB Museum of Contemporary Art in Eupen, Belgium. With numerous screens hooked up to a metal construct installed in the dark, the “Toxic Technoculture Tower” utilises an immersive exhibition concept for visitors to engage with the so-called “Red Pill Culture” and question their own relations and experiences with everyday misogyny. Accompanied by a booklet and a research library, the project offers access and transparency to the artists research material and creation process.

As a member of collectives like Diversify.Photo and Women Photograph, the post-migrant, feminist perspective is at the centre of her artistic interpretation of these themes. Singh is also a member of BBK – Association of Visual Artists Munich / Upper Bavaria and will join GEDOK - Interdisciplinary Organization of Women* Artists Advisory Board as Jury Advisor in late 2025. As of 2024, she’s been part of the curatorial Team of FOTODOKS: International festival for contemporary documentary photography, with the newest edition of the festival opening in October 2025.

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